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https://w.atwiki.jp/akatonbowiki/pages/3419.html
このページはこちらに移転しました I like Shadow. 作詞/88スレ260 夜が好き 真っ暗な時 影の中では 見えないから I like Shadow. 体 うずめて… I like Shadow... 終電の電車 電車の窓から ゆらめく キラキラと 街の明かり 輝いてる 心の中まで 満たす無重力 僕の顔も みんなの顔も 窓には ぶれて映ってるよ 希望も 悲しみも 飲み込まれていくよ 夜が好き 真っ暗な時間 僕の影さえ 見つからない 探せない 夜が好き 見えない時代（とき）の中で 今日も僕は カラダ休めてる I like Shadow. 闇になって… I like Shadow... 静かな息を… (このページは旧wikiから転載されました)
https://w.atwiki.jp/shadmanji/pages/13.html
～TOP MENU～ 【shadowmaη＠wikiへようこそ！】 Q.このページでは主に何をするの？ はい。このページでは、私（shadowmaη）のmadトークや雑談等、 様々な事柄を書き込みます。 Q.管理人は誰？ はい。shadowmaηが主に管理しています。 Q.普段どんな事をしている人なの～？ ニコニコ動画や、YouTube等で、mad動画や、モーショングラフィックス 等の動画を投稿しております。 YouTube☞https //www.youtube.com/channel/UCHYJmQCUUcBWTrknOTdbfEQ ニコニコ動画☞http //www.nicovideo.jp/user/64658967 Twitter☞https //twitter.com/shadmanji こんな事をやってます。 詳しくは、self-introductionで！
https://w.atwiki.jp/xbox360score/pages/2298.html
SBK Generations 項目数：50 総ポイント：1000 難易度： ★国内未発売 Newcomer Create your first custom rider. 5 Engineering Degree Save a bike setting in any Simulation game mode for the first time. 15 Hello Chief, Nice to Meet You! Use the Technical Meeting for the first time. 5 Break Your Soul Damage your bike to retirement. 25 Break Your Body Injure your rider to retirement. 25 Pit Walker Ride your bike from the track into the pit-lane. 15 Superstock Champion Win a Superstock Championship in any game mode. 25 Supersport Champion Win a Supersport Championship in any game mode. 25 Superbike Champion Win a Superbike Championship in any game mode. 25 MUD World Win a Race Weekend while your rider is wearing the MUD™ helmet. 15 Team Up with Baz Join MRS Racing in Career mode. 10 Beginner Complete the first challenge of the SBK™ Experience. 10 2009 Was Amazing Complete the last challenge of the level 2009 in the SBK™ Experience. 20 This Was My Year! Complete the last challenge of the level 2010 in the SBK™ Experience. 25 Last Year Best Year Complete the last challenge of the level 2011 in the SBK™ Experience. 30 Entering the Future Complete the last challenge of the level 2012 in the SBK™ Experience. 35 I m a Legend Complete the last challenge of the level Legends in the SBK™ Experience. 40 Challenge to All Comers Win your first Online Quick Race. 15 Social Poleman Obtain the best time in an Online Qualifying session. 20 Like a Pro Win a single player Quick Race at Pro difficulty level. 15 Too Real to be True! Win a single player Quick Race at Real difficulty level. 20 The Collector Unlock all locked riders. 20 One Enemy is Not Enough for Me Beat the Special Opponent in Career for the first time. 10 I m Living the Experience Complete 14 SBK™ Experience challenges. 15 A Complete Champion Win at least one Championship for every class in the same Career. 30 3, 2, 1... Done! Reach all podium positions at least once in different Quick Races. 20 Days of Thunder Reach 186 mph (300 km/h) with any bike on any track in any game mode. 10 Yes, weekend! Win a race in a weekend. 20 I m the King Now Storm the last challenge of the SBK™ Experience. 20 I like the Experience Complete all SBK™ Experience Challenges. 30 I love the Experience Storm all SBK™ Experience Challenges. 50 Online Champ Win your first Online Championship. 20 Burn the chronometer Win a Time Attack. 5 Thanks to the R D Successfully upgrade your bike in Career mode. 5 A Short but Amazing Journey Finish the Career mode. 40 Rookie of the year Reach 500 reputation points. 10 Rising Star Reach 2100 reputation points. 15 Fan Favourite Reach 4000 reputation points. 20 Living Legend Reach 6000 reputation points. 25 Young Guns Join a Superstock class team in Career mode. 10 Stormed! Storm one challenge of the SBK™ Experience. 25 600cc, pure Fun Join a Supersport class team in Career mode. 10 It is Time for the Top Class Join a Superbike class team in Career mode. 10 Orient Express Ride for at least 2000 km in any game mode. 30 秘密の実績 Money well spent Unlocked when player presses START for the first time on splash screen. 15 Better Than Spies Achieve at least 14 Superpole and 11 Race victories in the same Career. 40 Easy, Mate… Win a Quick Race. 10 This is How You Play This Game Win a Race Weekend at Full Simulation. 20 Water, a Lot of Water Win a rainy single player Quick Race of 100% length. 20 Not so popular Lose at least 100 reputation points in Career mode. 25
https://w.atwiki.jp/airportmod/pages/31.html
Versions 1.4.6 2021/6/4 Added a model of glide slope Added a model of runway approach lights Added a model of localizer Added apron light model Replaced PAPI model v1.4.5 2021/3/19 Implemented autopilot function. Added detailed functions BugFix v1.4.4 2021/2/14 BugFix v1.4.2 2021/1/25 Implemented autopilot function. Added the ability to change the color and glow of lights on the runway and obstacle lights by right-clicking Fixed a bug in the drawing of lights. Fixed data synchronization bug between server and client. v1.3.8-Dev 2020/12/30 Implemented boarding bridge block (no texture or movement) Fixed an issue where the towing car gate open/close information was not being shared properly in multiplayer Fixed misalignment of RunwayNumber text display. Implemented the concept of angle for lights, allowing them to be placed at an angle of 1 degree (dependent on the player's orientation when placed).(Depends on the player's orientation at the time of installation, but not implemented manually) Blocks that change color when approaching the end of the runway and blocks that change color depending on the runway's operational direction now have the ability to change color by right-clicking. Fixed the color of the airport lighthouse light. v1.3.6 2020/10/17 Implemented the ability to save and manage LandingPoint block coordinates as a file on the server side, so that chunks that have not yet been loaded after the server has started can be treated as ILS. v1.3.5 2020/10/5 Fixed wrong rotation direction of knobs. v1.3.4 2020/10/4 Fixed the behavior of the ILS knob. v1.3.3 2020/10/4 Fixed the behavior of the ILS knob. Adjusted the frame size of the block selection v1.3.2 2020/10/3 Fixed crash when opening key settings Changed text color of NAV setting screen. v1.2.13 2020/9/20 Changed text color of NAV setting screen. v1.2.12 2020/9/20 Implemented GuideSign (currently fixed text). Fixed a server crash bug in SideOnly. v1.12.11 2020/9/18 Runway number block implemented Implemented a center point in ILS to indicate the current direction of travel Added a block to indicate the landing point in preparation for adding the concept of frequency to the ILS v1.2.9 2020/9/1 Faster drawing using OpenGL features Fixed a drawing error in the Edge light. Overtaking zone light implemented. Fixed problem with Approach not closing properly when flying Adjusted the behavior of VersionBlock to reflect the initial world loading. Fixed towing cars to work properly in multiplayer mode v1.2.8 2020/08/25 Adjusted the magnification of lights Implemented a lightweight version of the model made it selectable from the config. Suppressed bug in managing invisibility of player in towing car Fixed outdated responses to ILS commands Changed structure to build instance lists for blocks and items and get information from them. v1.2.7 2020/08 Added basic gui opening while in towing car Implemented runway lights. Implemented taxiway centerline lights Implemented taxiway lights Implemented VOR/DME block v1.2.6 2020/08/06 Hide players in towing cars. Added recipes. Fixed the English name of the airfield east platform Implemented aviation obstacle lights v1.2.5 2020/07/28 Added airfield lighthouse block and towing machine (remote controlled tug car) v1.2.1 2020/07/15 Implemented a function to automatically save ILS locations as data for each world and automatically load them when loading the world. v1.2.0 2020/07/09 Updated PAPI model (provided by kaka) Fixed a minor bug in the ILS command. Adjusted default settings for ILSApproachAng default changed from 10 degrees to 5 degrees Approach=Enabled at startup changed to False Added Mod Config Config GUI (open Config screen from ModList)ApproachAng settings can now be configured from the config. Changed the output method of the NoItem version (integrated the development environment so that functions can be aligned with the normal version) v1.1.4 2020/6/15 Published CenterLight EndLight PAPI (temporary model) ILSGui and ILS command
https://w.atwiki.jp/touhoukashi/pages/6504.html
【登録タグ Q W プレインエイジア 凋叶棕 曲 紫咲ほたる】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/akatonbo/pages/3291.html
I like Shadow. 作詞/88スレ260 夜が好き 真っ暗な時 影の中では 見えないから I like Shadow. 体 うずめて… I like Shadow... 終電の電車 電車の窓から ゆらめく キラキラと 街の明かり 輝いてる 心の中まで 満たす無重力 僕の顔も みんなの顔も 窓には ぶれて映ってるよ 希望も 悲しみも 飲み込まれていくよ 夜が好き 真っ暗な時間 僕の影さえ 見つからない 探せない 夜が好き 見えない時代（とき）の中で 今日も僕は カラダ休めてる I like Shadow. 闇になって… I like Shadow... 静かな息を…
https://w.atwiki.jp/boare/pages/83.html
Release Note Release Date 23 Mar, 2009 Notes This version is alpha-build for previewing the functions of Cadencii version 1.4, and testing purpose only. Cadencii requires ".NET Framework Runtime(version 2.0 or later)" and "Visual C++ Library DLLs". Installers of these rumtimes are available from the links below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Visual C++ Library DLL Microsoft Visual C++ 2008 Redistributable Package (x86) Download Cadencii version 1.4a11 (394KB) CadenciiSDK version 1.2 (374KB) How to get source codes Source code repositories are now separated to 2 parts. Repository for the components listed below are on SVN LipSync repository of SourceForge.JP. Boare.Lib.AppUtil Boare.Lib.Media Boare.Lib.Vsq bocoree Also, Repository for the list below are on SVN Cadencii repository of SourceForege.JP. Cadencii vstidrv3 GenerateKeySound Please follow the instruction below for checking out the SourceForge.JP repository. If you required to enter the password, just hit enter key. cvs -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync login cvs -z3 -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync co -r CADENCII_1_4_A_11 #modulename# Source codes on Google Codes can be checked out as follows. svn checkout -r 44 http //svn.sourceforge.jp/svnroot/cadencii/trunk ./ These cvs / svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" options from these commands.
https://w.atwiki.jp/f_tps/pages/57.html
Shadowrun（シャドウラン） キャンペーンモード なし（BOT相手のトレーニングのみ） マルチプレイモード あり オフラインマルチプレイ最大人数 画面分割対戦不可。システムリンクで最大16人。 マルチプレイ時のBOTの有無 あり マルチプレイステージ数 マルチプレイルール数 Coop なし オンラインマルチプレイ あり オンラインマルチプレイ最大人数 16人 オンラインCoop なし コントローラ設定 上下リバースあり。三人称視点時のみ左右リバースあり。感度調整あり。 対戦に特化したFPS。 Counter-Strikeやパーフェクトダークゼロのような資金制を採用している。 武器だけでなく、マジックやテックといった特殊能力も買える。 いくつかの種族があり、それによってキャラクターの特性が変わる。 とにかく競技性に特化して作られているゲームで、バランスの評判はかなり良い。 上手い個人が活躍するようなスタイルではなく、徹底したチームプレイが求められるようなバランスになっている。 バランスが良いからこそ、カジュアルにだらだらと遊ぶようなプレイには向かない。 Windows Vista版も存在し、そのプレイヤーとクロスプラットフォーム対戦をすることが可能。 そのため、ゲーム内容もマウスによるエイミングで差がつきにくいような工夫がされており、撃ち続けたり移動したりすると照準が大きくなってすぐに弾がばらける。 パッケージ裏には「充実のオフラインプレイ」と書いてあるが、実際にはオフラインではトレーニングとBOT対戦とシステムリンク対戦しかできないので注意。 操作方法 ボタン 対応する行動 備考 十字キー上下左右 報告 左スティック上下左右 移動 右スティック上下左右 視点移動 左スティック押し込み しゃがみ 右スティック押し込み ズーム Lボタン（LB） LBに配置したものを使う Lトリガー（LT） LTに配置したものを使う Rボタン（RB） RBに配置したものを使う Rトリガー（RT） 射撃 A ジャンプ B 購入メニュー X リロード Y 武器変更 START ポーズ BACK スコア表示 関連リンク 公式サイト Shadowrun@wiki
https://w.atwiki.jp/citfdc-shido/pages/81.html
Char lezooneree havadats eem yaru artsoonknerov lutsrets sev sev acheru. Es ashkharu shad poochpan e heranam oozoome ee heranal oo moranal. Garoonu, garoonu, garoon e, seeroonu, seeroonu, seeroonu e. Etu ko sev, sev acherov, yar jan eenz doo aeeroom es. Etu ko sereetz molorvadz em koon choonem bolor geesher artsoon knerov danchoom e. Yaar jan eenzneets mee heranar seeroom em antsnortneru gardzoom em te yar goozem. Garoonu, garoonu, garoon e, seeroonu, seeroonu, seeroonu e. Etu ko sev, sev acherov, yar jan eenz doo aeeroom es.
https://w.atwiki.jp/oper/pages/2493.html
ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. アリア イスラエルの女 輝くセラフィム（熾天使）よ、炎の列となり、 朗々たる、高く掲げた天使のラッパを吹き鳴らせ。 ケルビム（智天使）の軍勢よ、心地よい合唱隊に加わり、 黄金の弦を張った不滅のハープを掻き鳴らせ。 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. Air Israelite Woman Let the bright seraphim in burning row, Their loud, uplifted angel trumpets blow. Let the cherubic host, in tuneful choirs, Touch their immortal harps with golden wires. 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. Handel,George Frideric/Samson